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lacanian attachment analysts |
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| geometry of the psyche-soma | ||
| creative and destructive fighting II | ||
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Subcomondante Marcos creative and destructive fighting Subcomondante Marcos Subcomondante Marcos |
Wilfred Bion, in his w or Work Group and
his Ba (Basic Assumption) Group with its destructive dynamics,
is the psychoanalyst who comes closest to describing the dynamics
of creative and destructive fighting. Bion served as a tank commander in the
first world war, but (as far as we know) did not know anything
about the revolutionary tradition of guerrilla warfare. The Barefoot
Psychoanalyst (1976) by John Southgate and Rosemary Randall was
one of the few Anglo-American psychoanalytic books at that time
to include Lenin, Fanon and other revolutionaries as sources. The problem or contradiction, is how, when
faced with an enemy with superior arms, wealth, personnel, armies
etc. can an apparently weaker group be ultimately victorious. As in the destructive cycle, freedom-fighters
are faced with highly armed, bureaucratic, ideologically active
propagandistic groups with all the"cards" stacked in
their favour. Apparently. The problem with a destructive group
is that no matter how superior its fire power and propaganda it
has difficulty in thinking creatively (Bion's"K") and
may be gripped by sadomasochistic, murderous, unthinking (Bion's
~k), they choose as leader - in Bion's rude but accurate language
- "the most psychiatrically sick member" (formal or
informal leaders). Vietnam (Ho chi minh) and South Africa
(Mandela and Bishop Tutu) illustrate the creative process and
we have chosen them to signify and illustrate the creative fighting
cycle. Fat Tomados have chosen the martial art of "Judo"
because in this practice a smaller and lighter opponent can use
the greater weight of the Other to deflect and throw them to the
ground. A "David and Goliath" story. Ho Chi Minh's Strategy
was (a) to retreat when the enemy advances i.e. disappear into
the Jungle and (b) when the enemy feels safely entrenched the
revolutionaries advance and attack. This is the fight-flight aspect
of the creative tactic. However there is a creative form of "Submission"
which we have symbolised by Mandela and Bishop Tutu. There comes
a point in a creative submission to negotiate and set up peace
and reconciliation committees . Small scale examples operate on
the same dynamics as we will illustrate later. How the Creative Dynamic sometimes transforms
into the Destructive Dynamic When the members within a Creative Dynamic
begin to enjoy the fighting and are seduced into power dynamics
then corruption and coercion can follow thereby transforming into
the Destructive dynamic. A Historical example is a comparison
of Lenin's leadership of the Bolsheviks with his successor Stalin.
Under Lenin and Trotsky's leadership and despite terrible conditions,
privation and occupation by foreign and Russian armies the Creative
Dynamic prevailed. Eventually, under Stalin's leadership bureaucratisation.
Coercion and imprisonment took place. A more contemporary example
might be that of Robert Magabe of Zimbabwe As we write these words Milsovic of Jugoslavia
has just been deposed. Let us hope that this will be an example
of a Destructive Dynamic transforming into a Creative Dynamic. One could argue that historically the desire
for Socialism and Communism has been bedevilled by the Destructive
Dynamic that Bion named the Basic Assumption group. How the Destructive Dynamic sometimes
transforms into the Creative Dynamic. The best example of a long term programme
of the Creative Dynamic must be that of Nelson Mandela. In the
early years he was convinced that peaceful methods inspire by
Mahatma Ghandi was his position. Then he realised that the Afrikaner
nationalists would never be defeated peacefully. He went to countries
with revolutionary traditions and was trained in guerrilla warfare.
After 27.1/2 years in Jail he started the negotiations with the
nationalists and became President of South Africa. Some say he
is the most popular person in the world. Dynamics on a family and interpersonal
level. For example in a family these dynamics
also arise and therefore show up in the individual's psyche. The
sexually and/or ritually abused child grows up in a family (or
extended family) that lives in such a Destructive Cycle in a split
dissociative way. During the daytime the family acts "as
if" it is a normal even highly conventional family. During
abusive rituals, often at night, the Jeckyll and Hyde syndrome
operate where cruel rituals of a sado- masochistic kind take place.
The Desires, Wants Needs and Demands for love become transformed
into sado-masochistic hate. There may or may not be an ideology
of Satanism. ©Lacanian attachment
analysts 2001 |
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